Blasphemy in European Parliament. They respect anyone but not Christians.

Borchia on blasphemy in European Parliament: 'Anti-Christian escalation. I have written to President Metsola".



Blasphemous, offensive and objectionable content with the image of Jesus Christ offended. This is the feeling - and it is not just a feeling, but reality - that Elisabeth Ohlson's exhibition in the European Parliament provoked.

An exhibition - on show these days until tomorrow - that continues to provoke public discussion and indignation, especially among citizens of the Christian faith. In this regard, Paolo Borchia, MEP and member of the Identity and Democracy group, decided to send a letter to President Roberta Metsola expressing his disappointment, and that of other MEPs. Besides him, in fact, Alessandra Basso, Marco Campomenosi, Susanna Ceccardi, Angelo Ciocca, Rosanna Conte, Gianantonio Da Re, Paola Ghidoni, Valentino Grant, Danilo Oscar Lancini, Elena Lizzi, Alessandro Panza, Antonio Maria Rinaldi, Maria Veronica Rossi, Silvia Sardane, Isabella Tovaglieri, Annalisa Tardino, Stefania Zambelli signed the letter.

We interviewed Borchia directly, asking if this is not yet another act of an anti-Christian conscience and a heavy escalation of this sentiment that we are experiencing in today's society. Borchia said: "We see the escalation of this on a daily basis, also because lately it seems to me that the value of the artistic work is subordinated to the notoriety, the visibility that is thought to derive from provocation. This is the logic we have seen in this exhibition of self-styled works of art organised by the European Parliament. It is not the first time. It reminds me a bit of Oliviero Toscani's style'.

There is therefore an anti-Christian advance that probably has deep roots and is rooted in the attempt to revisit today's society, pushing it towards nothingness of values and unbridled hedonism. For Borchia, the explanation is actually even more practical: "This polarises the debate, splits public opinion and alleged artists receive free publicity and visibility that they would otherwise not have received due to the mediocrity of the level of their works. Then clearly the difficulty found in Europe in protecting the dignity of Christian values is nothing new. We notice a total lack of respect if we think that an invitation email arrived at the parliamentary level in which an inclusive exhibition was mentioned. However, we have seen that the level of the works has been quite the opposite'.

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Borchia informs us that the President of the European Parliament may not have been aware of the content of the exhibition: 'This is something very divisive, disrespectful towards sensitivities, so I felt it was my duty to send a letter to President Metsola: as far as I know, she was not aware of the exhibition, because it seems that there is no authorisation from the presidency and therefore no upstream screening'. It is difficult to ascertain whether the president actually knew nothing. What is certain is that we can see how, for the umpteenth time, everything is being done in the European Union to protect the rights of single-minded minorities, while nothing is being done to protect the traditions and sensitivities of the world on which Europe itself should be based. The time to look the other way is now perhaps definitely over.



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A tour of the wretched exhibition by Danilo Oscar Lancini MEP.

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