Monday, November 12, 2007
The forces in the Church most responsible for dividing Catholics from magisterial teaching are the quickest to use the word “divisive” in any controversy. A “divisive moment” is the Catholic left's euphemism for any papal action that seeks to unite Catholics to the actual teachings and traditions of the faith. So it goes with Pope Benedict XVI's Motu Proprio, Summorum Pontificum, which authorizes wider use of the traditional Latin Mass. “Any liberalization of the use of the Tridentine rite may prove seriously divisive,” British prelate Kieran Conry, Bishop of Arundel and Brighton, said to the Telegraph shortly before the Motu Proprio's release. “It might send out an unfortunate signal that Rome is no longer fully committed to the reforms of the Second Vatican Council...” No, what it signals is a welcome new era of liturgical seriousness and the beginning of the end to the demoralizing liturgical chaos and distortions of the last four decades. In Summorum Pontificum, Pope Benedict has not only revived a venerable liturgical tradition but supplied a catalyst to reform the new liturgy.
Thus it is clear the new basilica at Fatima is a monument to the diabolic disorientation of neo-modernism and ecumenism. This explains why there is nothing Catholic about its construction. This explains why there is nothing holy in its appearance. This explains why the average Catholic who still has the sensus fidei gapes at the building as something from another planet.
Even the poor Portuguese people are perplexed, despite their humble temperament to keep their misgivings to themselves. One woman I spoke with at Fatima told me she went around asking Portuguese pilgrims what they thought of the new building. Each of them replied with a shrug of the shoulders, hardly a 90-million-dollar response.
Christ, not the Eternally Begotten of the Father is just a neanderthal to the modernists. This is what they mean when they say return to the primitive Church.
Says Director of Institute
"How far we are from the true spirit of sacred music, that is, of true liturgical music," he lamented. "How can we stand it that such a wave of inconsistent, arrogant and ridiculous profanities have so easily gained a stamp of approval in our celebrations?"
It is a great error, Monsignor Miserachs said, to think that people "should find in the temple the same nonsense given to them outside," since "the liturgy, even in the music, should educate all people -- including youth and children."
"Much music written today, or put in circulation, nevertheless ignores not only the grammar, but even the basic ABC's of musical art," he continued. "Due to general ignorance, especially in certain sectors of the clergy," certain media act as loudspeakers for "products that, devoid of the indispensable characteristics of sacred music -- sanctity, true art, universality -- can never procure the authentic good of the Church."