Pages

Buy Books and Support Cathcon


Friday, October 05, 2007

Cardinal George's thoughts on the Motu Proprio

Reactions 
among other subjects.

"The Holy Father's recent motu proprio broadening permission for celebration of the pre-Vatican II Latin Mass is one focus of identity concerns. Do you anticipate widespread use of the old Mass?

Since you have over half the presbyterate who really can't handle Latin, I don't see huge numbers. Among the others who could handle it, they made a decision after the council that they're not going to use Latin again. For them, it's a matter of principle. Therefore, 'widespread' isn't going to happen, I don't think, at least for the next several years … I haven't seen wide demand for it. Nobody's written me letters saying, 'Ah, now at last we can do this.'

Prior to the release of the motu proprio, I wrote an op/ed piece for the New York Times in which I argued that this would be one of those classic Vatican documents which, because of its symbolic importance, generates a lot of debate, but practically changes little on the ground. Does that seem right to you?

We'll see, but it made sense to me when I read it, and it still makes sense to me now. Symbolically, it is important, mostly because the pope wants to insist that there was no rupture [between the pre- and post-Vatican II periods], and it shouldn't have been treated as a rupture. The old Mass is there now, extraordinary but nonetheless present, as a kind of template to draw people into perhaps a more reverential celebration of the Eucharist. It's there, and that's helpful. On the other hand, most of the practicing Catholics I know, including those in my own family, who have always been good Mass-goers and who have nothing against the Tridentine rite, remember it and appreciate it, but they say, 'We're somewhere else now.'

A related issue with the old Missal is the Good Friday liturgy, and specifically the prayer for the conversion of the Jews. Where do you think we are with that?

First of all, we have to clarify something, because there are two opinions and we've asked the Holy See to clear this up. During the Triduum [the end of Holy Week] you may not have a private Mass. So the first reaction is, well, that means you can't use the old Missal for the Triduum, so that's the end of that. Others come back and say no, that if you have a parish that is only Tridentine, then they would also have the Holy Week ceremonies from that Missal. I'm not sure that's permitted, and that's what we're asking.

If it is, would your preference be to use the language of new Missal for this prayer on Good Friday, even when people are celebrating the Tridentine rite?

If you're celebrating the 1962 Missal, that would involve changing the text of the prayer.

That can be done, yes?

Of course it can be done, and I suspect it probably will be, because the intention is to be sure that our prayers are not offensive to the Jewish people who are our ancestors in the faith. We can't possibly insult them in our liturgy … Not that any group has a veto on anybody's prayers, because you can go through Jewish texts and find material that is offensive to us. But if we're interested in keeping the dialogue strong, and we have to be, we should be very cautious about any prayer that they find insulting. 'They,' however, is a big tent. What my Jewish rabbi friend down the block finds insulting is different from what Abraham Foxman [national director of the Anti-Defamation League] finds insulting. Also, it does work both ways. Maybe this is an opening to say, 'Would you care to look at some of the Talmudic literature's description of Jesus as a bastard, and so on, and maybe make a few changes in some of that?"

Babel College

Reactions 
begins a new term.

Pray for the Catholics of Iraq!

All 1088 pages

Reactions 
0f the 1962 Roman Missal.
AddThis Social Bookmark Button

First Friday of the Month, devoted to the Sacred Heart

Reactions 

From the writings of St. Margaret Mary:

"On Friday during Holy Communion, He said these words to His unworthy slave, if I mistake not: I promise you in the excessive mercy of my Heart that its all-powerful love will grant to all those who receive Holy Communion on nine first Fridays of consecutive months the grace of final repentance; they will not die under my displeasure or without receiving their sacraments, my divine Heart making itself their assured refuge at the last moment."

With regard to this promise it may be remarked:
(1) that our Lord required Communion to be received on a particular day chosen by Him;
(2) that the nine Fridays must be consecutive;
(3) that they must be made in honor of His Sacred Heart, which means that those who make the nine Fridays must practice the devotion and must have a great love for our Lord;
(4) that our Lord does not say that those who make the nine Fridays will be dispensed from any of their obligations or from exercising the vigilance necessary to lead a good life and overcome temptation; rather He implicitly promises abundant graces to those who make the nine Fridays to help them to carry out these obligations and persevere to the end;
(5) that perseverance in receiving Holy Communion for nine consecutive First Firdays helps the faithful to acquire the habit of frequent Communion, which our Lord eagerly desires; and
(6) that the practice of the nine Fridays is very pleasing to our Lord since He promises such great reward, and that all Catholics should endeavor to make the nine Fridays.


AddThis Social Bookmark Button

Former Jesuit college

Reactions 

now a national museum


"The building of the former Jesuit college today houses the National Museum of the Viceroyship (Museo Nacional del Virreinato). Inside the church found there, you can walk to this octagonal room, the Camarín, which ranks as one of the finest examples of Mexican High Baroque art. The hand of indigenous artists can be detected in the shapes and composition of the retablos and of the ceiling. The figures of the archangels and the black oxidised representations in silver are remarkable. The early ribbed vaulting in the Camarín shows Mudéjar influence. The light entering through the alabaster windows contributes to the magnificent overall impression. "